“I’m always at that eccentric part, that loner that is sort of on the outside, but always looking in—always sort of peering through the door, sort of looking in, but never quite going through it.”
Rodney Smith was a prominent photographer whose whimsical work invited comparison to that of surrealist painter Rene Magritte. Long acclaimed for his iconic black and white images that combine portraiture and landscape, Smith created enchanted worlds full of subtle contradictions and surprises. Using only film and light, his un-retouched, dream-like images are matched in quality by the craft and physical beauty of his prints. Mr. Smith was a man who cared deeply about sharing his vision of the world with humor, grace and optimism.
Influenced by the teaching and technical precision of Ansel Adams, Smith sought to perfect his own technique, narrowing his choice of camera, film, exposure, developer, and paper. He used light to edit and reveal his subjects, rendering them in a broad spectrum of tones, ranging from crisp white highlights to deep velvety shadows. Smith’s signature style emerged, making the world appear sharper and clearer, bringing order to chaos.
In the mid-1980s, Smith’s work caught the attention of art directors and magazine editors who commissioned him to create journalistic portraits of CEOs around the world. He insisted on being given complete access to his subjects as well as total creative freedom. Shooting pictures of these powerful men, on location, in their own personal environments, endowed them with a previously unseen humanity, and changed the nature of corporate portraiture.
The integration of figure and landscape was further strengthened when Smith co-authored The Hat Book in 1993 with creative director Leslie Smolan. This whimsical photo-essay on hats, contrasted the workers in an 18th century hat factory with hats as expressions of identity and fashion. Smith and Smolan married in 1990, building a lifelong creative partnership that was instrumental in helping Smith find his own unique vision.
By the mid-1990s, editorial clients included The New York Times, W Magazine, Vanity Fair, Departures and New York Magazine. Smith was immersed in shooting fashion for Neiman Marcus, Bergdorf Goodman, Ralph Lauren and Paul Stuart, among others. All sought to tap into his unique style, and his emerging affinity for spontaneity, humor and surrealism.
Rodney Smith died in 2016 at the age of 68. His images combine wit and elegance, a potent mix that could not have been created by any other photographer.